Whos Tube

NaturalMotion has revealed a new video showcasing their breakthrough euphoria engine, the animation technology that generates human motions in real-time. The video illustrates how euphoria enables game characters to be truly interactive and exhibit a previously impossible degree of believability.

Using the processing power of next-generation hardware, euphoria eliminates the need for pre-canned animations, replacing them with real-time simulations that create completely interactive characters and unique game moments.

euphoria was developed by NaturalMotion, an Oxford- and San Francisco-based software developer, and will debut in the hotly anticipated Grand Theft Auto IV on April 29, 2008.

http://www.gamehelper.com

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Description:
This is a sampling of the work i’ve created in the past few years.

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Description: No description needed. Enjoy.

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A small dog who will do anything to get outside. Anything!
Created by Brittney Lee

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A stop motion animation I made at uni using cut-out paper. The project brief was to choose a sentence from an article on tea-leaf readers and produce a piece of illustration. But I wanted to do some animation, so…

The sentence I chose was…
‘what does it mean if you see a walrus in your tea?’

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Aniboom Award Finalist
Big things can come from small cans.
animation by James Mason
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A dark philosophical animation. 17 will make you think.
created by florian grolig
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Four undersea friends who enter a mustache growing contest.
created by Mike Hollingsworth

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For more than twenty-five years, I’ve been successfully participated in animation music composition(cartoon “Urusei Yatsura”, Movie “Tampopo”, “Gerry Anderson’s FireStorm”, etc). These works hardly pursue a whole synchronization of music and pictures, so inevitably, I feel frustrated with the unbalanced two elements. Recent years have been my challenge to seek its solution with brick toys animations(using Lego(R)). Also the music composition to meet the trial has been another project.

The number of genuine children’s animations seems decreasing compared to the number aiming for OTAKU (freaks) in Japan. The audience of this Dr. Jobs’ series aims for five to ten-year old children. In each story, I’d like to create a comedy with this brick character, which you will find his brilliant invention always ending up with a bitter experience.

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